• Movies/Entertainment,  Quick 5/Top 10

    G-S-T Top 10 – Movies Off the Beaten Path – Round 5

    One of the great things about Netflix is the collection of recently debuted independent films. These selections, however, can be hit or miss, so with this installment of “Movies Off the Beaten Path,” we’re bringing you a list of ten independent films worth watching that were released over the last five years – and they are all also currently available on Netflix Instant. How can you go wrong? —————————————————————————————————————————————– Hunger – One of Fassbender’s very best and no one even knows about it…except for the Criterion community of course. It’s also the start of his increasingly brilliant collaboration with Steve McQueen (check out their second film in our review of…

  • The Criterion Files

    The Criterion Files: Kiss Me Deadly

    Kiss Me Deadly Directed by: Robert Aldrich Written by: Mickey Spillane (story), A.I. Bezzerides (screenplay) Starring: Ralph Meeker, Maxine Cooper, Albert Dekker, Gaby Rodgers Cinematography by: Ernest Laszio Music by: Frank DeVol Release: May 18, 1955 “Va-va-voom! Pow pow!” Those words may encapsulate the masculine, grunting energy of Kiss Me Deadly, Robert Aldrich’s noir masterpiece, better than any of the film’s most striking images or its myriad other memorable lines of dialogue. After all, if you want to understand what makes Mike Hammer tick, you only need to look as far as the cars he drives; they’re the sleek, muscular sort of vehicles most men covet and can only dream of owning…

  • The Criterion Files

    The Criterion Files: In the Mood For Love

    In the Mood For Love: Directed by: Wong Kar-wai Written by: Wong Kar-wai Starring: Tony Leung, Maggie Cheung Cinematography by: Christopher Doyle Music by: Michael Galasso, Shigeru Umebayashi Released: September 29th, 2000 Wong Kar-wai’s role as a cinematic innovator on a local level has been well-established since the 90s, when Days of Being Wild— which announced his arrival to the film world despite being his sophomore effort– saw him strive to break away from the storytelling and artistic standards typical of most Chinese cinema of the period. Arguably, Wong didn’t really come into his own until 1994, the year he unveiled both Ashes of Time and Chungking Express to critics and audiences alike;…