There’s a lot to love in the music of Michael Giacchino. He’s been to space, he’s been lost on an island, he’s been to the moon, far from home, he’s been up and inside out, and when it comes to modern composers, he’s the right one to let in if you want to get to the heart of the story. On that note, this film marks his fourth time collaborating with Matt Reeves, and what a team they have made over the years. The Batman finds him exploring new ground, well, for Reeves that is; Giacchino is all kinds of familiar with a superhero sound. But the world of dark…
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A Decade Full of Memories: The Life and Times of Go,See,Talk!
Hey, GST fans. Today is a special day in Internet history. I’m proud to share with you that it’s been a full decade since I started this site! For this anniversary/editorial post, I wanted to write more than a catch-all piece recapping highlights from the previous year. Well, there is some of that below, but I hope this look back can also offer a way forward – tips along with lessons learned – for aspiring film journalists or hobbyists like myself. In a way, I’m speaking to me in 2009, and on that note, I can’t help think of Christopher Lloyd’s famous line from Back to the Future, “My God. Has…
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G-S-T Review…Rogue One: A Star Wars Story
After four decades, it’s possible that some Star Wars fans probably didn’t expect significant new yarns could be spun in the universe they love so much. Well, with Rogue One, Gareth Edwards and company crafted the mother of all lead-ins to that tale which took place a long time ago. That’s right. In case you hadn’t heard, Rogue One happens right before Episode IV. So it’s a really bold move leaning a modern story up against the crawl that started it all. While the prequels are something that (increasingly, and over time) many fans wish hadn’t happened, there are some redeeming elements to those films. As such, Rogue One serves…
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Off the Shelf…Disney’s ‘Zootopia’
Disney’s latest Blu-Ray offering is something that feels classically Disney, yet has the awareness and modernity of something like the studio’s frigid Princess pic. Zootopia trades ballgowns and musical numbers for a sweet-natured but surprisingly adult story. Sure it gets a candy coating, thanks to the conceit of a civilized mammalian populus, but while not intended as a straight-up comedy, this cuddly whodunnit is an all-out laugh fest. We loved it in the theaters, and this is just a blast at home; now we can go frame by frame to take in all the grandeur of the flora and fauna directors Byron Howard, Rich Moore, Jared Bush, and their team crafted. It’s a delicious…
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G-S-T Review…Zootopia
You really have to give Disney a hand for getting back in the animation game. Thanks to hits like Wreck-It Ralph, Frozen, and last year’s Big Hero 6, Disney is once again a major force in the industry. Change is inevitable, and as things go, producing features using drawn animation could only have lasted so long. CGI powehouse Pixar hit their stride long ago, but now it is the Mouse House who is seemingly ahead of the curve when it comes to pixels and the digital arts. As the studio has come in and out of greatness, one thing has been constant – they are fantastic storytellers who are able to draw in…
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Off the Shelf…’Inside Out’
Pete Docter has long been a fixture of Pixar, and like he said in his commentary on 2009’s Up (he also reiterates it here as well), “when something is a success, it perpetuates the myth that it came fully formed out of someone’s head“. He wants everyone to know, that is so not the case. In a meta way, Inside Out is a filmic representation of how the studio tries to find the story through experiences, rather than create it. At the animation powerhouse, there’s no genius locked away in an ivory tower who comes up with all three acts of the story perfectly. Nor does the production team go on auto pilot…
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Off the Shelf…’Tomorrowland’
Brad Bird has an affinity for telling heartfelt stories and infusing them with incredible amounts of whimsy and delight, charm and inventiveness. The Iron Giant, The Incredibles, and now Tomorrowland, Bird is proficient in spinning yarns that are as nostalgia-fueled as they are forward-thinking. Tomorrowland presents itself as a duality, which is to say Bird shows us the best we as a society might hope for in a distant future, but also offers a cautionary tale about not taking action while we have the chance. Now it’s not doom and gloom. In fact, it’s fun and fanciful and more so because of the characters, not just the inventions. We are thrown…
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Off the Shelf…’Walt Disney Animation Studios Short Films Collection’
Walt Disney Animation has always been at the forefront of the animation curve, and nothing says that more than a casual glance at their vast catalog of beloved and award-winning pictures. But while people will forever remember the accomplishments of the Mouse House, and the subsequent laurels and praise, there are many times where the feature is the end product of a lot of trial and error. To make things more clear, many films are the direct result of techniques and methods tested in a variety of the studio’s short films. Furthermore, some now famous directors and luminaries got their start with a trial run – once they showed competency and…
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G-S-T Review…Dawn of the Planet of the Apes
In 2011 Rise of the Planet of the Apes was an unexpected hit, that’s for sure. Rupert Wyatt made a film more about the human connection than the Apes and therefore was able to showcase sympathy and compassion ultimately downplaying the gruesome fall of man. It was a great film and now, in 2014, Matt Reeves puts his stamp on the series with an equally impressive follow up. Dawn of the Planet of the Apes perfectly compliments Wyatt’s efforts with a story that is a contrast in many ways but he continues in an equally engaging and fulfilling way. It’s an astounding film which this time focuses less on humans…
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FourScore Match-Up #20: “The Colossus of Clout”
This year, on the 60th anniversary of Ishiro Honda’s landmark film, we’ll get to see Gareth Edwards’ reinvention of the world-famous Toho monster. In the subsequent decades since Godzilla first lumbered out of the water we’ve see other mightily impressive creatures (with some equally impressive firepower) blaze across the screen yet of the biggest and baddest Gojira reigns supreme. Over the years he’s retained the title of “King of the Monsters” but he didn’t earn his moniker easily – there are some memorable, and equally gargantuan, baddies who can and have gone toe-to-toe with Toho’s big screen icon. Today we look up, way up, like into the clouds up to see…
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FourScore Match-Up #19: “It Don’t Mean A Thing If It Ain’t Got Them Strings”
This week Kenneth Branagh’s Jack Ryan: Shadow Recruit hits theaters and marks the 11th time he and that smiling Scottsman composer Patrick Doyle have worked together in the last 25 years. The film features an amazing arrangement of strings with such diversity and complexity it’s easily some of the best pensive spy music since David Arnold’s work scoring the Bond series. And seriously, no matter what country you’re from the stellar track “Ryan, Mr. President” may be the most swellingly patriotic theme you’ll ever hear. Doyle’s works have such dense richness that they give each film an almost mythical atmosphere. One thing is for sure, he just knows how to…
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FourScore Match-Up #16: “You’re Very Animated”
Blue Sky Studios and 20th Century Fox are bringing Chris Wedge’s EPIC to theaters this weekend. It’s a visual wonderland that is perfectly complimented by Danny Elfman’s beautiful score. So it was with that in mind we decided to look at a variety of beloved films that feature equally gorgeous animation and take us to worlds too incredible to believe. Yet while the four titles above are vastly different at first glance they do share one common element; a standout musical score that is as vibrant as any hand-painted or computer generated cells in each of these fantastic stories. So who will walk away with the crown in today’s FourScore…
