Hey, GST fans. Today is a special day in Internet history. I’m proud to share with you that it’s been a full decade since I started this site! For this anniversary/editorial post, I wanted to write more than a catch-all piece recapping highlights from the previous year. Well, there is some of that below, but I hope this look back can also offer a way forward – tips along with lessons learned – for aspiring film journalists or hobbyists like myself. In a way, I’m speaking to me in 2009, and on that note, I can’t help think of Christopher Lloyd’s famous line from Back to the Future, “My God. Has…
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[DIFF Video Interview]…Matt Schrader Screens ‘SCORE: A Film Music Documentary’ at the Dallas International Film Festival
The 2017 Dallas International Film Festival brought many amazing films and documentaries to DFW, but few hit as close to home (musically speaking) as Matt Schrader‘s feature, SCORE: A Film Music Documentary. Schrader’s film profiles various personalities and titans in the industry to chronicle the history of film music, reaffirm its importance in our culture, and attempt to explain why certain scores continue to resonate decades later. I can honestly say I’ve been a music fan longer than I’ve been a film fan, and as such, forgive the pun, this doc was music to my ears. We spoke to Schrader in 2015 while he was in the middle of interviewing the composers for…
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Interview…Steve Jablonsky on ‘Keanu’ and ‘Teenage Mutant Ninja Turtles: Out of the Shadows’
If you’re a film fan and just now getting interested in film music, we’re going to let you in on a little secret. See the happy guy in the picture above? That is Steve Jablonsky. He works in Hollywood. He writes music, big music in fact, and he’s been at the forefront of high-octane films, video games and TV shows for almost two decades. But if you’re a fan of his, or this site, you already know that. Of all the composers we’ve gotten to know over the years, Steve is one of our favorite people to talk to. Right before Father’s Day, we caught up with Steve to talk…
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Ho-Hum Trailer…’Teenage Mutant Ninja Turtles: Out of the Shadows’
Yes, Dudes and Dudettes, major-league butt-kicking is back in town. The first trailer (and subsequent ones now that we think about it) for 2014’s Turtles didn’t give us the warm fuzzies. Worse than that, the trailers were actually better than the film and the plot. The only redeeming elements were Brian Tyler’s awesome score and that elevator scene. So it’s with a huge grain of salt that we prepare for this second at bat…and that title. Yikes! Good news is that Steve Jablonsky has stepped in for Tyler and we all know what he brings to his films. To a fault, we’re always hopeful, even if said film looks like…
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Interview…Composer Penka Kouneva on ‘The Woman Astronaut’
Film and game composer Penka Kouneva has worked for 15 years in Los Angeles on a variety of projects from games, to shorts, to feature films. Her own music is a blend of her Eastern-European upbringing, classical training, modern film & game music, and influences ranging from rock, electronica, Medieval chant to non-Western music. A woman composer role model on the vanguard of the rising momentum for women creatives in entertainment, Penka Kouneva made Hollywood history as the first woman Lead Orchestrator on films with a budget over $100M – Ender’s Game and Elysium. In various capacitites, she has had notable collaborations with the celebrity composers Hans Zimmer (orchestrator: Pirates 3,…
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Sweet Trailer…’13 Hours: The Secret Soldiers of Benghazi’
If there’s one filmmaker who makes the films that he wants to see, regardless of what the critics say, it’s got to be Michael Bay. A bit of a change from his standard overblown (emphasis on both over and blown) blockbuster fare, 13 Hours: The Secret Soldiers of Benghazi is a slightly more sophisticated Bay film. We are fans of his Bayness and while it already looks like he’ll dazzle us with his visuals and cinematography, Steve Jablonsky is also on board to offer his musical energy to this pensive and action-packed thriller. Enjoy the first trailer below… An American Ambassador is killed during an attack at a U.S. compound…
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CONTEST CLOSED – Win A Copy of the ‘Transformers: Age of Extinction’ CD Score by Steve Jablonsky
Attention: CONTEST IS NOW CLOSED. All winners have been notified. Thanks for your interest in Transformers: Age of Extinction. ——————————————————————————————————————————— Go,See,Talk and La-La Land Records are offering FIVE lucky fans a copy of the film score soundtrack to TRANSFORMERS: AGE OF EXTINCTION. This CD is a special release and these promo copies are from the limited run of 3000 units (click here for info on this release as well as the track listing.) The long-awaited score is now available from Lalalandrecords.com and other boutique soundtrack retailers starting October 7th, 2014. Read below to find out how you can win a copy from us. To enter our contest, send an email to contest@goseetalk.com with “JABLONSKY CD“ in the subject line and answer these questions for…
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La-La Land Records To Release Steve Jablonsky’s ‘TRANSFORMERS: AGE OF EXTINCTION’ Score
If you read our site regularly, you’ll know that Steve Jablonsky is one of our favorite film score composers. On more than one occasion, Steve has sat with us to talk, at length, about his experiences scoring films, TV shows, even video games. Most recently, we talked with him in June to discuss collaborating with Imagine Dragons, Skrillex, and the completely new sound for the Autobots in Transformers: Age of Extinction. Click here to read that interview. Always incredibly humble, it’s an honor to speak with him each time, and we’re so glad to share the news of this physical release. Truth be told, it’s been a bit of a struggle for…
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Interview…Film Composer Steve Jablonsky On Collaboration and the New Sound of Transformers
Fresh off the plane from London, film composer Steve Jablonsky is just starting to wind down from his last project. And why wouldn’t he? Working on Transformers: Age of Extinction (which came out just four weeks ago and will very soon be the first movie of 2014 to reach the $1 billion mark) over the last 6 months has been a whirlwind. Like most other Michael Bay pictures it was a mad dash to the finish line but that’s how it goes when you work on projects of this size and scope. Steve Jablonsky is synonymous with big, bombastic scores yet while the energy and emotion to his music runs high, Jablonsky is…
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Exclusive: Interview (Part III)…Film Composer Steve Jablonsky on Experimentation and Career Experiences
We’ve come to the final post, Part III of the 90 minute interview we had with the incomparable Steve Jablonsky. Hitting on a number of topics we got a deeper look into his process and Steve offers even more personal experiences and insight into his phenomenal scores. If you’re just joining us, check out Part I and Part II (really, if you love film music, they’re not to be missed) but if you’re all caught up then enjoy the final leg in this trio of interview posts with amazing composer Steve Jablonsky. ——————————————————————————————————————————— – “Making sounds” as opposed to just composing them is a very proprietary approach. But do you think,…
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Exclusive: Interview (Part II)…Steve Jablonsky’s Big Break, His Process, and Living In Michael Bay’s World
In Part I of our interview with film composer Steve Jablonsky we talked about his recent score for Ender’s Game. A major player in the word of film music Jablonsky has made a name for himself contributing to and fully scoring some of the most successful blockbusters in the last decade. Working with the likes of Harry Gregson-Williams and Hans Zimmer, Jablonsky has become an in-demand composer and he continues to score films for some of the biggest names in the industry. So jump right into Part II as we discuss Steve’s big break, scoring a slew of horror remakes for Michael Bay’s production company Platinum Dunes and of course…
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Exclusive: Interview (Part I)…’Ender’s Game’ Composer Steve Jablonsky
For more than a decade Steve Jablonsky has been composing riveting scores for some of Hollywood’s most bombastic blockbuster films. From the Japanese anime Steamboy (directed by legendary filmmaker Katsuhiro Otomo), to Michael Bay’s The Island and Transformers series to scoring no less than 4 feature films in 2013 alone, Jablonsky’s epic sounds have become a staple in the world of action films. Whether things are blowing up on the silver screen, the TV screen or in video games, Jablonsky is one of only a handful of go-to composers who consistently deliver diversity and complexity along with high energy themes. Originally focused on becoming a recording engineer, Jablonsky’s career as a film composer developed after assisting…
